Happy St. Patrick’s Day guys 🍀☘ Enjoy a bit of pre Easter art camp drawing.
#HowToDrawStPatrick #StPatricksDay2018 #sharingtheloveofart #kidsart
Happy pancake Tuesday.
Pancake Tuesday reminds us that Easter is on the way. I will host an Easter Art Camp this year in the Harold’s Cross Community Centre. I have popped a copy of the leaflet below. There are 12 spots on each course. Looking forward to seeing your artist there.
Happy new year from Art Academy. It’s a fresh new year and time to start making exciting plans. The nicest gift I received this Christmas was this diary from The National Gallery of Ireland. It is a weekly diary and has a different pieces of art from the collection to inspire on each page.
I had wrote a post on my top fav gift idea’s from the gallery shop. I had planned to pick one up in January and Breda Flaherty beat me to it. A beautiful gift to receive and it makes me feel excited for the year ahead. You can get yours at their store in the gallery on Merrion Square. May your 2018 be wonderful.
This is my 3rd NGI diary and I am set to continue.
Dark evenings and constant talk of “it’s expected to snow” call for staying in by the crackling fire, comfort food and Netflix. If you love art and simultaneously are suffering Game of Thrones withdrawl, Medici, Masters of Florence on Netflix is just for you.
Medici: Masters of Florence tells the story of the rise to power of the Medici dynasty. The drama unfolds against the beautiful back drop of Renaissance Italy, in all of it’s architectural and artistic glory.
If you are missing “Robb Stark” Richard Madden plays the lead character Cosimo De Medici. John Bradley West of “Sam Tarley” fame plays a Medici cousin. Another GoT favourite Dustin Hoffman plays “Giovanni di Bicci de’ Medici”
IMDB rates the series 8/10. Season 1 was released on the 9th of December 2016 with Season 2 promised “by the end of the year” (2017?) Check it out on Netflix here
Image Refs: Stills from the Netflix original series Medici Masters of Florence.
I know I’m an adult but I love, love, love the Late Late Toyshow hosted by Ryan Tubridy. So for the night that’s in it, I made a quick sketch of the Toyshow mug. They are on sale in Penneys, along with a full range of Toyshow merchandise. Raising funds for Temples Street Children’s Hospital and Our Lady’s Hospital in Crumlin. Drinking hot chocolate from a cute, owl mug watching the Toyshow is the nicest charity endeavour ever.
I used coloured pencils from Faber Castell and the Uniball gel pen in white. Oh also a Derwent charcoal pencil, which is fast becoming a favourite of mine. To create your own drawing check out the step by step process pics below:
“The noblest pleasure is the joy of understanding.” – Leonardo Da VINCI
Art is not celebrated in Irish schools. Merely tolerated, viewed by the uninformed as a low level hobby. The art room often confined to some dusty corner of the school is only seen as useful when perhaps there a background that needs painting for a school play. Recent results from the Central Statistics Office however show, that this strategy is a grave mistake.
The survey concludes that; “On analysing the results, we found that students who studied Art along with Science or Maths performed better in the tests than those who did not study Art.” No news here, it has been obvious for over 500 years. Leonardo Da Vinci, the obvious poster child. You can check out the survey in the link below. Such facts beg the question if art is not the champion of your school, is your school a champion?
As an artists and/or art teacher I believe that it absolutely imperative that we are the perpetual learner. Here in Ireland there are little hidden pockets of artistic gold waiting to be absorbed. I intend to seek these out, enjoy them for myself to build on my artistic knowledge but also share them with you.
One such gem can be found in Block T. Recently I have had the pleasure of completed the realism oil painting course there, under the expert tutelage of Florentine academy multi-award winning artist Nicholas Benedict Robinson. I will share with you my journey on his course in the images below. It being by no means the poster model but it gives you some idea of how I progressed the painting. We worked from direct observation of the live model for 6 Wednesday evenings. Nicholas is an excellent teacher of this method.
The good news is there is another such upcoming workshop so don’t feel you have missed out. There is a full week coming up 31st July – 4th of August. Keep an eye on the Block T website and Nicholas’s website for further courses. You can check how I got on at the last workshop below:
Detail from Head of a Bearded Man by Peter Paul Rubens
As a teenager and even a child, my vision of what I thought attending art college would be like, was unbeknownst to me, already extinct. I had visited the National Gallery of Ireland as a child. Standing in awe before Caravaggio’s The Taking of Christ, I could feel that art was powerful. I needed to be involved in this alchemy. I wanted to learn to create it. I imagined, after school, I would attend something like, what was once The Metropolitan School of Art. There would be easels and drawing classes. There would be artists.
Art college was different from what I expected. I studied Graphic Design and Art and Education in the end. Learned plenty but something was missing. I practiced life drawing in my evenings and free time. Recently at a loose end, I tried oils. I didn’t know how to use them but from the moment I picked up a piece of oil paint and placed it on the canvas, I knew, there is magic here. No other medium will ever compare. It holds a richer and bolder quality than anything I have tried. And as much as I enjoy the graphic side of my work there is a realness to oil that no computer screen or camera can quite live up to.
I understand and believe we reside in an era of a New Renaissance. It is evident in every arena. Where once stood Galileo Galilei , we now explore space. Where Leonardo Da Vinci excelled in engineering, we are speeding ahead with technology. Science, music, theatre, film, literature and art are evolving. To progress the field of visual art we can look to the Old Masters as those in the Renaissance looked to Ancient Greece and Rome. It is my opinion that we must build on this past mastery and raise the standard of art here in Ireland. The National Gallery of Ireland is one place to start.
In order to better understand how Masters like Rembrandt and Rubens approached painting flesh tones, I returned to the place that inspired me as a child, the now recently refurbished National Gallery of Ireland. The NGI is stunning. Below are some studies from todays visit, concerning skin tones. It is wonderful the variation and wide spectrum of colour used to paint skin especially the unexpected colours like violets, greens and greys.
Detail from Lady Gregory by William Orpen
Detail from John Count McCormack by William Orphen
Detail from The Dead Ptarmigan by William Orphen
Detail from Portrait of Henry Shefflin by Gerry Davis
Detail from Portrait of Philippe Roettiers by Nicolas de Largilliere
Detail from Lady holding a glove by Rembrandt van Rijn
Image of the full portrait
I was especially drawn to the depiction of hair in this detail from Thomas pooley’s Sir Phillip Perceval
Detail from Jupiter and Ganymede by Nicolaes van Helt Stockade
Detail from Saint John the Baptist in the Wildereness attributed to Michele Desubleo
Detail from The Penitent Magdalene by Bartolomé Esteban Murillo
Bretonne by Roderick O’Conor
The Grand Gallery at the NGI
These images are a point of reference for my portrait studies but are best enjoyed in real life. A visit to the National Gallery is a must.
Photo credit Instagram: @bmv_20th_century_boy
Each Summer Dublin Canvas pours it’s kaleidoscope of colour across Dublin city. Traffic light boxes are adorned with a rainbow of public artworks and our city becomes a wonderful outdoor art gallery curated by David Murtagh. An exciting group of exceptional artists are painting again this Summer and I am honoured to be counted among them.
Tomorrow morning you might spot Queen Ester winking at you, from her corner at Canal Road / Grove Road, near Rathmines bridge. Ester was originally designed from my degree show, storytelling by choosing two elements from my childhood, namely Mass and memories of Daddy playing card games.
Ester is a biblical story from the Old Testament. At the time a graphic designer I chose to tell the story using the medium of re-appropriated playing cards. She is a queen with a kind heart, a dangerous secret and a precarious plan.
Photo credit Instagram: @cristinlarkin
In the story, Ester is a poor girl but chosen by the king of Persia for her beauty. The King passes a law to “exterminate” all of the Jews in his lands. Brave and kind Ester hatches a dangerous plan to save her people. She herself is secretly a Jew. Hoping the king will avoid the bad PR of having to kill his queen, she reveals that she is Jewish, forcing the hand of the king to revoke the cruel law. Her plan is as precarious as a house of cards.
She plays a dangerous game, gambling with her own life. On the canal Ester winks and shares her secret plot with passers-by. Secret codes and symbols are hidden in her image.
The painting process employed, is that similar to screen printing or reduction block or lino print. This design uses only 4 colours yellow, red, blue and black.* Each colour is applied separately and in order from light to dark. It was fun to work on, especially on a glorious day like today.
Yellow is primarily applied
Next some red
The blue is put down
And finally voilá, the darkest colour, black
I actually did the back and sides before the face:
Photo credit Twitter handle: @fmk_RoI
A little behind the scenes stencil cutout
*yes, I know, I cheated. I decided to pop on a bit of green paint marker on the stem of the flower at the 11th hour but hey.